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Jeanne notices that after a few weeks, her family stops eating together in mess halls. She remembers that before entering the camp, her family used to enjoy noisy, homegrown meals around a large, round wooden table. Now, however, Granny is too weak to go to the mess hall, and Jeanne’s older siblings often eat with friends in other mess halls where the food is better, while the younger brothers make a game of trying to eat in as many different mess halls as possible in a single meal period. Jeanne and Kiyo often eat with other children, away from the adults. Wakatsuki notes that later in the war, sociologists noticed the division occurring within families, and the camp authorities tried unsuccessfully to force families to eat together. But camp life accelerated the disintegration of the Wakatsuki family—the barracks were too small for Mama to cook in, and there was no privacy. Wakatsuki says that the closing of the camps made this fragmentation worse, since the older children moved away and the remaining family members had to eat in shifts in a tiny apartment. She adds that after being released, she wrote a paper for her journalism class about how her family used to catch and eat fish together at their home in Ocean Park. She closed the paper by saying that she wanted to remember this experience because she knew she would never be able to have it again.
Back in the camp, a call goes out for volunteer workers, and many Japanese sign up. Jeanne’s brothers sign up as carpenters, roofers, and reservoir crewmembers, and Mama begins to earn nineteen dollars a month as a dietician helping the camp cooks. She works in order to pay the warehouse in Los Angeles, where she has stored the family furniture. She worries about Papa, from whom she receives occasional letters, but starts to ignore Jeanne. Jeanne looks for attention elsewhere and begins to observe the other people in camp. In hot weather she watches the 10,000 people walking around the camp at night. She pays special attention to a half-black woman who is masquerading as Japanese to stay with her husband; an aristocratic woman who whitens her face with rice flour; a pair of pale, thin-lipped nurses who look like traditional Japanese kabuki theater actors; and Japanese nuns. The nuns run an orphanage in the camp with Father Steinbeck, who is white, and they nearly convert Jeanne to Catholicism before Papa intervenes. Jeanne is attracted to the stories of saints and martyrs, and spends nearly every afternoon and all day Sunday with the sisters. Walking home in the hot sun, she likes to imagine that she too is suffering with the martyrs. One day, however, she suffers sunstroke and does not go back to her religious study for a month.
XPick 10 Songs from the Last Decade and We'll Tell You Which Famous Fictional Character…
Pick 10 Songs from the Last Decade and We'll Tell You Which Famous Fictional Character…
Just before Jeanne’s bout of sunstroke, Papa returns to Manzanar, and the whole family goes out to greet him. Woody’s wife, Chizu, is absent because she has just given birth to a son, whom she has named George in honor of Papa’s return. When the bus door opens, the first thing Jeanne sees is a cane. Papa is thin, and withered, and he favors his right leg. He and the family look at each other in silence, and only Jeanne has the courage to approach him. She runs to him, hugs his legs, and begins to cry.
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