A painting by Giorgione in Venice. A woman breastfeeds a baby with a soldier looking in her direction.

What is the name of the painting above?
a.
The Temptation
b.
The Tempest
c.
Assumption of the Virgin
d.
Pesaro Madonna

A painting by Giorgione in Venice A woman breastfeeds a baby with a soldier looking in her direction What is the name of the painting above a The Temptation b T class=

Respuesta :

Answer:

It's either B or C

Explanation:

I took Art Appreciation last semester, and I believe it was one of those two. I hope you figure it out, and here's a beautiful are piece to make ur day

Ver imagen Call1800Kelsee

The name of the painting shown above is the tempest.

Who was Giorgione?

Giorgione, born Giorgio Barbarelli da Castelfranco on September 17, 1510, became an Italian painter of the Venetian faculty at some point in the High Renaissance, who died in his thirties.

He is thought of for the elusive poetic pleasant of his paintings, even though only approximately six surviving artworks are firmly attributed to him.

The uncertainty surrounding the identification and the meaning of his paintings has made Giorgione one of the most mysterious figures in European art.

Together, along with his more youthful present-day Titian, he based the Venetian school of Italian Renaissance painting on the Venetian faculty of the use of color and mood.

The faculty is historically opposed to the Florentine play, which relied on an extra-linear design-led style. The Tempest has been referred to as the primary panorama within the records of Western portrayal.

The concern of this play is unclear, but its creative mastery is apparent. The Tempest portrays a person and a girl on both sides of a stream, amid a town's rubble and an incoming storm.

The multitude of symbols in The Tempest provide many interpretations, but none is fully satisfying.

Theories that the play is set in duality have been brushed off due to the fact that radiography has proven that during the early degrees of the play, the person to the left becomes a seated lady.

The Three Philosophers is similarly enigmatic, and its attribution to Giorgione remains disputed.

The three figures stand close to a darkish, empty cave. Sometimes interpreted as symbols of Plato's cave or the Three Magi.

They appear misplaced in a regular Giorgionesque dreamy mood, bolstered by a hazy mild feature of his different landscapes, which includes the Pastoral Concert, now inside the Louvre.

The latter "well-knowns the Venetians' love of textures" due to the fact that the painter "renders nearly palpable the advent of flesh, fabric, wood, stone, and foliage."

It's clear that choice B, the tempest, is the best answer.

Learn more about Giorgione, refer to:

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